Jean Vezina, "The manufacture of the manuscript" in Histoire de l'édition française, tome 1, Paris, Fayard / Promodis, 1989. Translation and adaptation: Sandra Szir
1) What was the format change that occurred in
2) What were the materials used for writing?
3) Characterize the medieval manuscript production: how prepared the material for writing, what the format, who produced the manuscripts.
4) Describe the start page of a medieval manuscript. What elements make it up (comments, references, etc..)?
5) What is the system of the wrecks?
6) Where are the manuscripts?
Michael Baxandall, "Eye of the time" in Painting and daily life in the Renaissance , Barcelona, \u200b\u200bGustavo Gili, 1978
1) What referred M. Baxandall with the concepts of representative convention, interpretive ability, visual habits, cognitive style? What links them together?
2) How is according to the text, the cognitive style with the ability to interpret an image?
3) The cognitive style "is the same for the different social groups and cultures of the same age? Does it vary from one era to another? What factors does it depend?
4) The painter and his audience do they share the cognitive style?
5) What are the examples given by Baxandall on the types of visual competition that was equipped with a person of the Quattrocento? Develop.
6) What were, in the Catholic Church, the religious functions of images of sacred subjects? How these functions are translated into instructions for the production or reception of a work?
7) What instances of information that interacted with Images received a spectator of the fifteenth century? Exemplify the works dedicated to the Annunciation .
8) "Through what elements were expressed in the human spiritual states? Were there coding for these expressions?
9) What was the relationship between the education they received a young bourgeois of the fifteenth century in Italy and the decoding of the paintings?
10) What could explain the overall idea that Baxandall text reflects on the relationship between art and society of a particular time?
Henri-Jean Martin , "Printing" in Williams, Raymond (ed.), History of communication . Of Printing to today , Barcelona, \u200b\u200bBosch, 1992
1. a) What were the economic and technological conditions that made possible the invention of movable type?
b) How do you condense technical developments leading up to mid-fifteenth century in southwest Germany? What is the invention of Johannes Gutenberg?
2. a) What were the cultural conditions that favored the way the press?
b) What the author refers when he speaks of a "renaissance of writing?
Philip Gaskell, "The manual printing of the books" in New introduction to bibliography material, Asturias, Ediciones Trea , 1999
1) How was the work of composition of a page in a printing press of the period of the manual?
2) What is the imposition ?
3) How was the process of printing in the early years of the printed manual?
4) What characteristics had the role of the sixteenth century?
5) How is the binding?
Lucien Febvre and Henri-Jean Martin , "The appearance of the book," The appearance of the book , Mexico, Fondo de Cultura Economica, 2005
1. What do they look and what features incunabula define?
2. What assumptions were made to explain their resemblance to the manuscripts? Why the author says that not resist the analysis and what is their explanation of the phenomenon?
a.
1. calligraphic What models were available typographers around 1450? What is used each of these scriptures?
2. What were the reasons for the unification of the fonts?
3. "What were the most used fonts? What was the influence of the humanists in this regard?
b. Marital status of the book. Incipit , colophon, brand
1. What the author refers to "marital status of the book?"
2. What part of the book was, until the sixteenth century, the greatest amount of information on its production? What kind of information is included?
3. What is the brand typeface and the characteristics?
4. When he made his appearance on the cover? What was your purpose at the time? What changes suffered by the end of the fifteenth and early sixteenth century?
5. What changes arising from the use of copper etching in the seventeenth century?
6. What is a pediment?
2. What is the foliation? So that was used? What other systems are used for the same purpose in manuscripts and incunabula? When first used the page?
3. What were the reasons for the success of the portable formats? What types of books were produced in this format before?
4. What group had a new use of this format? What were the characteristics that made it original?
5. Who still preferred in-folio format? When and why there was a resurgence of this format?
6. What formats coexisted in the eighteenth century? What is each used?
d. The illustration
1. What kind of artwork were the manuscripts? What kind of books were illustrated?
2. Who had access to these books?
3. What image reproduction technique was used after the birth of the printing press? Why?
4. What place was very popular this technique? What is the frequently used?
5. When and why you started the engraving used in books? What were the origins of this technique and its first use? What are its advantages and disadvantages?
6. When and why was no longer used the engraving? Where continued to be used?
7. What happened to the pictures during the eighteenth century?
e. The dress of the book binding
1. What were the general characteristics of the binding of books during the period studied by the author?
2. What were the characteristics of the binder until 1480? Why?
3. What changes brought about by the press after 1480? What techniques are used for decoration and what new materials were first used?
4. What features does the hot stamping technique?
5. What was the binding specificities between the seventeenth and eighteenth centuries? Who were the main responsible for the appearance of the book in this period?
Sandra Szir, "Graphic Innovations and cultural changes. Aldus Manutius and editing humanist
1) What was the relationship they established
2) What were the innovations implemented by Aldus Manutius editorial regarding formats, bindings, typography, alphabets?
3) What do you mean when he says that Szir through the publication of classics in paperback Manuzio won "new readers for new texts?
4) How do the illustrations in the edition of Manuzio Hypnerotomachia Poliphili ? What new contributors?
5) What do you mean Szir stating that "In its final form the printed book was the result of complex negotiations between various parties?
Svetlana Alpers, "Introduction", in describing art. Dutch art in the seventeenth century , Madrid, Hermann Blume, 1987
1) What two models of representation referred to in the text?
2) Why Alpers said that the Italian art as a model imposed from both the aesthetic and theoretical in Western art?
3) What gives Alpers art features Italian and northern European art?
4) The visual differences between them are they related to differences in features? What sets the text regarding the interests of Italian culture and the Nordic?
5) What is the relationship between the Dutch visual culture and its meanings?
6) How do you explain the link between Dutch images and science, knowledge and technology in this culture?
7) What role does the human figure in Italian art and what the Dutch art?
8) What do the metaphors of the "window", "mirror" and "map" applied to the painted surface?
9) Is there a relationship between the religious life of Italian Renaissance painting? How given the relationship in the Nordic culture?
Roger Chartier, "Representations and practices.
1) What is the Chartier hypothesis that critical?
2) What are the 3 book markets in the eighteenth century?
3) What characterizes the "old regime typo?
4) What were the philosophical books? Where is produced, how they were distributed covering what content?
5) What is the relationship between reading Chartier set of philosophical books and membership or not
6) What were the traditional ways of reading?
7) What are the new ways of reading?
Robert Darnton, The Business of Enlightenment. The publishing history of the Encyclopédie , 1775-1800, Cambridge, Massachusetts & London, Belknap Press, Harvard University Press, 1979
1) What was
2) What were its epistemological basis?
3) What was the mode of production of the publication referred to the text?
Frédéric Barbier and Catherine Bertho-Lavenir, "The form, revolution and political participation (1790-1820)" in history of media: Internet Diderot, Buenos Aires, Colihue, 1999
1) What are the reading practices and acculturation that mark the decade from 1789 to 1799? Which social groups participate in them?
2) What are the formal characteristics of the books printed between 1799 and 1815? What policy framework is produced and how does it in style?
3) Explain the final assertion of Barbier when he says: "In France, the progress of the Enlightenment and the relative delay of the sociopolitical system may become a revolution that makes the question of means and form a central issue, and introduces contemporary political problems."
Frédéric Barbier, "The industrialization of the techniques," in Roger Chartier and Henri-Jean Martin, Histoire de l'édition française, tome 3, Paris, Fayard / Promodis , 1990 (translation of the chair)
1) What Barbier referred to "technical system"? How does it differ from the sum of the techniques and invention?
2) What were the technical innovations that emerged in the nineteenth century in the areas of the paper, the press and composition?
Michel Melot, "The text and image", in Roger Chartier and Henri-Jean Martin, Histoire de l'édition française, tome 3, Paris, Fayard / Promodis , 1990 (translation of the chair)
1) What new role became the image in the nineteenth century?
2) How diversified forms of the book?
3) What were the new techniques of illustration for print? What was advantageous and disadvantageous features each and what type of paper used?
Martin Lyons, "The new readers of the nineteenth century: women, children, workers," in Guglielmo Cavallo and Roger Chartier, History of Reading in the Western world , Madrid , Taurus, 1998
1) What were the new readerships in the nineteenth century?
2) What new social practices appeared these new audiences?
3) What were the modes of appropriation of reading and what the contents of the same?
Honour, Hugh , "Introduction", in Romanticism , Madrid, Alianza, 1981
Nochlin, Linda , "The nature of realism" in realism, Madrid, Alianza, 1991
1) How listed in the text of Linda Nochlin's concepts of "realismo'-'realidad'-'convención'-'observación empírica'-'esquemas'?
2) How does realism extended his eyes to the story? How does the contemporaneity and immediacy to the realistic and impressionist?
3) What was the new range of subjects incorporating the realism and what implications did this integration? Exemplify the cartoon.
4) How does science gravitated nineteenth century positivist realism?
5) How are social issues expressed in the level of discourse and realism in his works? What role do the works of Courbet's monumental style and theme as the manifestation of social issues?
6) What can we find differences and similarities between the characteristics of realism and romanticism?
0 comments:
Post a Comment